Alfredo Arreguin, the Seattle artist, was born in Morelian, Michoacan, Mexico in 1935 and moved to Mexico City thirteen years later. Moving to the Pacific Northwest in his twenties, the artist Alfredo Arreguin notes Mexico, and the people who live there, to have inspired him. Painting famous Mexican citizens has become a strong theme throughout the paintings of artist Alfredo Arreguin. Though artist Alfredo Arreguin’s portraits and landscapes directly relate to his heritage, his background has influenced more than the artist Alfredo Arreguin’s subject matter. The colors Alfredo Arreguin uses as an artist relate directly back to the Mexican landscape that he treasures.
In one of the most famous works by the artist Alfredo Arreguin, Frida In Flames, the complex use of bright images to create Alfredo Arreguin’s artistic impression of the famed Frida Kahlo seem to form a tapestry. The images Alfredo Arreguin uses as an artist to make up Kahlo’s portrait include mask-like faces, patterned tiles and vegetation, all of which have a definite ancient Aztec style to them. An artist with a strong command of color, Alfredo Arreguin has an artist’s masterful way of creating large images out of smaller icons. Looking at the palate of bright colors the artist Alfredo Arreguin uses, one can’t imagine how the small tile-like images come together to make up the details of Kahlo’s likeness in Alfredo Arreguin’s artistic painting.
“The Magic Realist”, artist Alfredo Arreguin is one of the most well-known living artists today. Paintings by artist Alfredo Arreguin hang in such prestigious places as National Academy of Sciences, The Smithsonian, Tucson Museum of Art, and The Mexican Museum in San Francisco. Of their acquisition of “Sueño (Dream: Eve before Adam)” by Alfredo Arreguin, the artist, the Smithsonian rated it, “one of its seven most important acquisitions from among more than 600 works of art collected by the museum in 1994.” Alfredo Arreguin continues to inspire artists today.
Alicia Grau, born in Barcelona, Spain, is known mostly for her impressionist paintings of children on the beach. Alicia Grau’s style of textured views of the innocent meeting the knowing ocean has been imitated by her peers and admired by art lovers since Alicia Grau’s pieces surfaced. However, it is Alicia Grau’s masterful still lifes that can represent and seem most indicative of her work.
Take Alicia Grau’s painting Apples, a tablescape laid out on a crisp white tablecloth against a wall of the same shade. Somehow, Alicia Grau succeeds in capturing the commonplace and vaulting it to a celebration of the way we live. It’s almost as if Alicia Grau captures the scene of an altar rather than the collection of objects necessary for a snack of apples. It is this ability Alicia Grau has to bind the light to the objects in Apples, giving them importance and lending them an ethereal quality and giving the objects honor that makes still lifes by Alicia Grau so compelling.
In Apples, Alicia Grau capably captures the golden cast of afternoon light from a window in the left of the room that remains unseen, and the light itself almost becomes the subject of Alicia Grau’s piece. The textured surface of the objects in Alicia Grau’s painting easily depicts the cups, plate, apples, flowers tea pot and bottles laid before us. With the muted coloration due to the overall yellow cast of light, Alicia Grau unites the items in a way that seems so natural. It’s as if the objects belong together not because of their usefulness at the time, though we accept that to be true, but also because the light has chosen to bless them in this moment Alicia Grau so aptly captures.
So take the time to seek out pieces by artist Alicia Grau that break from the subject of the people she loves to paint. You will be surprised and delighted at the way Alicia Grau, the European artist, can lend her loving eye to objects in a way that rivals her better known paintings by Alicia Grau of children on the shore.
Artist April Richardson, a print maker living in the Pacific Northwest, is known for her vivid botanical mixed media monotypes. April Richardson gives life to the flowers and plants in her work through the use of saturated color. April Richardson achieves rich deep hues through her unique process. April Richardson combines techniques such as drawing, painting, collage and print making techniques and layers drawings, paint, tissue paper, and colored pencils into her finished pieces. April Richardson explores “living things” and their “origins, repetitions and patterns” and the history of the land on which they grow. This examination by April Richardson of the cycles of light and dark, bloom and wilt, life and death is evident in the compositions by April Richardson, and they seem to spiral in on themselves with vines, stems and leaves and blossoms.
In April Richardson’s diptych, Alley Rose I and Alley Rose II, you can watch the roses grow before your eyes. As one branch travels up the right side of Alley Rose II, by April Richardson, another dips down on the left side of Alley Rose I, cradling a budding rose.
When viewed together, April Richardson’s pieces, the Alley Rose duo, appear to capture the lifecycle of the rose bush with both birth and regeneration of life. Buoyed by the sunlight, in April Richardson’s golden piece, Alley Rose I glows. Alley Rose II, however, points to the end of the lifecycle with open flowers full of weight and dark hues, appearing that April Richardson poised them to drip right off of the stems and drop to the ground to regenerate life.
When describing her thoughts while “sketching in a garden”, the first step in April Richardson’s multi-layered process, April Richardson says, “I consider the plot of land: these same few square feet that root the subject of my drawing today.” It is easy to spot April Richardson’s love of the earth and reverence of the moments created in gardens in her prints. An artist with love for her work, April Richardson’s success will grow like the blooms in her prints.
Choosing art by size for your home is important when completing your design. We’ve all walked into houses and been greeted by tiny artwork engulfed by a large mantle, or a huge statement piece squeezed into a small niche. It’s quite distracting to see a work of art not selected by size, throwing the principles of both scale and proportion out the window. Selecting art by size is just as important as the color, style and subject matter. Art chosen by size should enhance your space, not make it a distraction.
How do you find the perfect piece of art by size? What if you fall in love with an image and it’s perfect for over your new couch, but you wish you could choose the art by size? Or you spy a landscape with perfect colors for the rug you just bought for your bedroom, but you want to be able to select the art by size? Modern printing techniques now allow you to have the perfect print to fit your space and you can choose the art by size and style. Just search the collections of art by color, subject and artist then choose the art by size at ArtThatFits.com.
The best way to select how long or wide your art by size should be is to measure the boundaries of your furniture end to end. Your art by size should fit as close to that length as possible, but keep the framing elements in mind! ArtThatFits.com allows you to enter one dimension and automatically calculates the second dimension based on the original art by size, keeping the print’s image true to the artist’s intention. ArtThatFits.com also has thousands of pieces to choose from, with over one hundred different artists and you can choose from their art by size. With a huge selection and the ability to choose art by size, you’re sure to fill that blank wall at home with the perfect art by size in no time.
Art reproduction printing is the new way to bring quality artwork by famous artists into your own home without spending thousands of dollars. Today’s art reproduction printing has been upgraded by technology. One of the most advanced printmaking technologies today is giclee. Pronounced “zee-clay”, giclee printing, from the French word meaning “to spray”, is a digital method of fine art reproduction printing that offers a much higher resolution, or sharpness, and a much wider range of color than art reproduction printing techniques of years past. Large digital printers that produce giclees can print on a variety of substrates like archival paper and canvas, allowing you to choose exactly how you want your finished piece of art reproduction printing.
Art reproduction printing allows fabulous works of art to be digitized, reproduced and printed at a specified size. This feature of art reproduction printing can change the way you are able to choose the art reproduction print for your home. Instead of choosing from a small assortment of pieces you find in the size of art reproduction printing you need, you can use color, style, artist or subject matter as your first criteria for your art reproduction printing. This opens up thousands of pieces from you to choose from. With art reproduction printing you can get high quality art in the exact image you want.
Art reproduction printing is a legitimate form of artwork. Some artists exclusively make prints, and some have made art reproduction printing part of their mediums from which they work, just like painting or drawing. Art reproduction prints have sold at famous auction houses for tens of thousands of dollars. However, it is important to work with a reputable art reproduction printing company to ensure you receive quality work. Not all art reproduction printing techniques are the same. ArtThatFits.com is an example of an art reproduction printing company that works with archival quality inks and substrates and follows strict quality guidelines. When working with the right company, art reproduction printing allows consumers to hang the best quality artwork in their own homes.
Today’s printing techniques make it easy to create a custom size canvas of your very own. The new technological advancements in scanners and printers can produce an archival quality custom size canvas called giclee (pronounced zee-clay). A giclee is a type of custom size canvas that remains true to color without noticeable dots that can result from other types of printing.
ArtThatFits.com is an exciting website that allows a collector to choose a custom size canvas from a dizzying array of artwork by notable artists from around the world. Search artwork by color, subject matter or artist and create a custom size canvas to fit your walls online. To size your custom canvas, all you have to do is enter one measurement of how tall or wide you would like your piece and ArtThatFits.com will generate the other size for the artist’s intended proportion. This allows your custom size canvas to fit any space. Whether you’re looking for a focal piece for above your fireplace or a hard-to-fit space in an architectural alcove, a custom size canvas is the solution.
When looking for artwork to fill a specific wall, designers will tell you a custom size canvas is key. A balanced look in an interior comes from custom size canvases tailor-made to fit. Well designed rooms result from a good sense of scale and a custom size canvas can be scaled to suit any design. Just as furniture must be in scale with a room; artwork must be, and this is the true benefit to a custom size canvas.
Arranging for a custom size canvas is simple. With the click of a mouse, you will be able to create a custom size canvas. Never again will you bring a beautiful piece of artwork home only to realize it doesn’t fill the wall as you had intended. A custom size canvas completes a room and growing your collection of art has never been easier thanks to custom size canvases.
To David Owen Hastings, he’s lucky. “I’m one of the lucky few who get to combine passion with profession”, David Owen Hastings says. This passion certainly shows in David Owen Hasting’s work. Born into a family in Waterloo, Iowa, who invested in David Owen Hastings’ love for art, he now not only creates fine art, but also has a successful graphic design business, proving David Owen Hastings family’s encouragement fruitful. Influenced strongly by nature and the patterns he finds within it, David Owen Hasting’s mixed media prints are often layered prints whose “imagery speaks of the abundant life energy radiated by nature.”
In Fusa IV, David Owen Hastings uses the blues and browns of the seascape to create an abstraction of circles. David Owen Hastings has aqua and black “bubbles” appear to come from the orbs they float to the top of the piece. David Owen Hastings added a faint, almost watermark-looking blue wash in the background of the print. This technique of David Owen Hastings’ lends to Fusa Iv’s aquatic feeling. “I am constantly drawing connections between things, making ‘arrangements’,” says David Owen Hastings. This statement seems to connect directly to this piece of David Owen Hastings’ work. Like the rings that look like shadows made by the more dominant circles, there is a pattern within this abstraction by David Owen Hastings.
David Owen Hastings has moved to the monotype as his primary medium. David Owen Hastings experiments with the effects found when making prints in Fusa IV. You can see where David Owen Hastings has added negative space to the inks by applying an absorbent material. The underwater appearance is created through David Owen Hastings’ use of printing on translucent papers. As an artist, David Owen Hastings has really made his medium work for him instead of against him, as happens to other print makers from time to time. Passion for the technique is evident in the pleasant result, Fusa IV, in which David Owen Hastings not only turns to “connections” in nature, but also a connection between the viewer and his art.
Elizabeth Horning is an artist who portrays the beauty of nature on canvas. The love of the landscape and all that it encompasses came early to Elizabeth Horning. Born in Cambridge, Massachusetts, artist Elizabeth Horning continued to live in the splendor of the Northeastern United States while attending the Rhode Island School of Design. While studying art, Elizabeth Horning was awarded scholarships for artists such as grants from the Carnegie Foundation, The Ford Foundation and a Royal Bailey Farnum Scholarship.
After her formal training as an artist, Elizabeth Horning dove right into becoming a fine artist. Never ceasing to examine art, Elizabeth Horning shapes young artists through her programs in the elementary schools of Franklin, New Hampshire. An artist directly influenced by her love of nature, Elizabeth Horning’s garden is bursting at the seams with blossoms and vines. This sounds like an example of Elizabeth Horning’s life as an artist imitating her art, for her canvases are thick and heavy with flowers.
The amazing photorealistic style artist Elizabeth Horning works in is technically very difficult. Somehow, though, Elizabeth Horning is able as an artist to keep her florals looking stunningly life-like while adding a touch of magical polish to them. In the painting Prickly Poppies, artist Elizabeth Horning captures a very realistic scene that in all actuality would occur quite rarely. Artist Elizabeth Horning painted all three soft pink poppies are in peak bloom and a butterfly has just landed for a drink of nectar. This skill Elizabeth Horning has as an artist is what creates the sense of wonder surrounding her oil paintings.
The quality of light artist Elizabeth Horning captures is ethereal creating otherworldly gardenscapes of her very realistic style. So important is light to Elizabeth Horning as an artist that she says, “So, foremost in my mind when I am working on paper is the preservation of the light which is vital to the life of the painting and which must come from the paper itself.” This attention to light is what gives artist Elizabeth Horning’s work her unique signature.
Elizabeth Horning is an artist in the true sense of the word. Merriam-Webster’s Dictionary defines artist as someone who “is adept at something”, and Elizabeth Horning is “adept” at capturing the realism of the bloom of the flower just as it is at its peak of beauty and drama. Through the open close-ups of the flowers she paints, Elizabeth Horning seems to invite us into the private and glorious insides of the botanical world. By seeing these flowers Elizabeth Horning presents cropped so intimately, it’s as if an entirely new view of items we see every day. A rose or a daisy becomes a landscape all its own through Elizabeth Horning’s eye and she shares this secret place with us.
Elizabeth Horning – Port Townsend Garden
In her painting, Port Townsend Garden, Elizabeth Horning takes us into the world of the Iris. Creamy golds and vivid violets seem to glow as if Elizabeth Horning has somehow lit the painting from within. The absolute technical way in which Elizabeth Horning represents the blossoms is arresting. One almost feels as if they could reach out and feel the velvety beard of the flower, Elizabeth Horning creates. The straightforward representation of Elizabeth Horning’s Port Townsend Garden inevitably comes from her mastery of capturing the light; it highlights the imperfect texture of the petals and the shadowy depth of their ruffled edges in Elizabeth Hastings’ Port Townsend Garden.
To capture the light in just the right way, Elizabeth Horning likes to work with oil paints on paper and let the paper show through, giving the light a “more transparent quality”. Elizabeth Horning knows it is the light that is “vital to the life of the painting” and believes by working on paper, as opposed to canvas allows “preservation of the light”. Though the subject Elizabeth Horning captures is the flower, it is more appropriate to say the star of Elizabeth Horning’s work is the light.
Jaime Ellsworth, artist and animal lover, creates simple-seeming scenes of every day moments. These scenes created by Jaime Ellsworth allow the viewer to imagine their own background story about what’s just out of view. One of the favorite subjects of Jaime Ellsworth is a black dog named Pagau. Pagau, a dog her daughter rescued in Beijing, China, has captured the heart of Jaime Ellsworth and for being such an amazing muse, she donates paintings to animal welfare societies. In her painting, Boots 1, Jaime Ellsworth captures Pagau the dog sitting just inside the closed door of a house. Pagau sits next to a discarded pair of rain boots in Jaime Ellsworth’s piece. On the brown and white checkerboard floor, the lone black dog sits looking to the outside world Jaime Ellsworth has created. The viewer is left to imagine what Pagau is pondering beyond the glass door in Boots 1 by Jaime Ellsworth.
Jaime Ellsworth has an amazing way of using strong and simple shapes when composing her paintings. Yet, upon closer inspection, one sees Jaime Ellsworth has not left the objects in her works flat or two-dimensional. There is texture and gentle shading to the forms achieved through using fine layers of strongly-colored oil bars to create the main forms, and then uses more layers, as Jaime Ellsworth describes the process, to “allow the under paint to peek through and transparent glazes give the final surface a subtle tint.” Jaime Ellsworth has perfected this layering technique, creating depth in her work that forms her striking signature style.
Incredibly, Jaime Ellsworth had been painting an imaginary black dog for about a year before her daughter brought Pagau home. Of the canine, Jaime Ellsworth says, “I began to observe and paint Pagau’s moments of contemplation and his story now unfolds visually through his discoveries.” Prolific in her work, Jaime Ellsworth has painted over sixty pieces in which Pagau is the subject. Here’s hoping Pagau continues to garner the attention of Jaime Ellsworth so we can watch the dog’s story continue in her delightfully cheery work.