Giclee Art Prints | ArtThatFits Articles


Art reproduction printing is the new way to bring quality artwork by famous artists into your own home without spending thousands of dollars. Today’s art reproduction printing has been upgraded by technology. One of the most advanced printmaking technologies today is giclee. Pronounced “zee-clay”, giclee printing, from the French word meaning “to spray”, is a digital method of fine art reproduction printing that offers a much higher resolution, or sharpness, and a much wider range of color than art reproduction printing techniques of years past. Large digital printers that produce giclees can print on a variety of substrates like archival paper and canvas, allowing you to choose exactly how you want your finished piece of art reproduction printing.

Art reproduction printing allows fabulous works of art to be digitized, reproduced and printed at a specified size. This feature of art reproduction printing can change the way you are able to choose the art reproduction print for your home. Instead of choosing from a small assortment of pieces you find in the size of art reproduction printing you need, you can use color, style, artist or subject matter as your first criteria for your art reproduction printing. This opens up thousands of pieces from you to choose from. With art reproduction printing you can get high quality art in the exact image you want.

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Giclee Print Paul Chang “Zypher Hills Spring”

Art reproduction printing is a legitimate form of artwork. Some artists exclusively make prints, and some have made art reproduction printing part of their mediums from which they work, just like painting or drawing. Art reproduction prints have sold at famous auction houses for tens of thousands of dollars. However, it is important to work with a reputable art reproduction printing company to ensure you receive quality work. Not all art reproduction printing techniques are the same. ArtThatFits.com is an example of an art reproduction printing company that works with archival quality inks and substrates and follows strict quality guidelines. When working with the right company, art reproduction printing allows consumers to hang the best quality artwork in their own homes.

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Today’s printing techniques make it easy to create a custom size canvas of your very own. The new technological advancements in scanners and printers can produce an archival quality custom size canvas called giclee (pronounced zee-clay). A giclee is a type of custom size canvas that remains true to color without noticeable dots that can result from other types of printing.

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Liz Tran’s “The Vera” in custom sizes

ArtThatFits.com is an exciting website that allows a collector to choose a custom size canvas from a dizzying array of artwork by notable artists from around the world. Search artwork by color, subject matter or artist and create a custom size canvas to fit your walls online. To size your custom canvas, all you have to do is enter one measurement of how tall or wide you would like your piece and ArtThatFits.com will generate the other size for the artist’s intended proportion. This allows your custom size canvas to fit any space. Whether you’re looking for a focal piece for above your fireplace or a hard-to-fit space in an architectural alcove, a custom size canvas is the solution.

When looking for artwork to fill a specific wall, designers will tell you a custom size canvas is key. A balanced look in an interior comes from custom size canvases tailor-made to fit. Well designed rooms result from a good sense of scale and a custom size canvas can be scaled to suit any design. Just as furniture must be in scale with a room; artwork must be, and this is the true benefit to a custom size canvas.

Arranging for a custom size canvas is simple. With the click of a mouse, you will be able to create a custom size canvas. Never again will you bring a beautiful piece of artwork home only to realize it doesn’t fill the wall as you had intended. A custom size canvas completes a room and growing your collection of art has never been easier thanks to custom size canvases.

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To David Owen Hastings, he’s lucky. “I’m one of the lucky few who get to combine passion with profession”, David Owen Hastings says. This passion certainly shows in David Owen Hasting’s work. Born into a family in Waterloo, Iowa, who invested in David Owen Hastings’ love for art, he now not only creates fine art, but also has a successful graphic design business, proving David Owen Hastings family’s encouragement fruitful. Influenced strongly by nature and the patterns he finds within it, David Owen Hasting’s mixed media prints are often layered prints whose “imagery speaks of the abundant life energy radiated by nature.”

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mixed media “Fusa IV” by David Owen Hastings

In Fusa IV, David Owen Hastings uses the blues and browns of the seascape to create an abstraction of circles. David Owen Hastings has aqua and black “bubbles” appear to come from the orbs they float to the top of the piece. David Owen Hastings added a faint, almost watermark-looking blue wash in the background of the print. This technique of David Owen Hastings’ lends to Fusa Iv’s aquatic feeling. “I am constantly drawing connections between things, making ‘arrangements’,” says David Owen Hastings. This statement seems to connect directly to this piece of David Owen Hastings’ work. Like the rings that look like shadows made by the more dominant circles, there is a pattern within this abstraction by David Owen Hastings.

David Owen Hastings has moved to the monotype as his primary medium. David Owen Hastings experiments with the effects found when making prints in Fusa IV. You can see where David Owen Hastings has added negative space to the inks by applying an absorbent material. The underwater appearance is created through David Owen Hastings’ use of printing on translucent papers. As an artist, David Owen Hastings has really made his medium work for him instead of against him, as happens to other print makers from time to time. Passion for the technique is evident in the pleasant result, Fusa IV, in which David Owen Hastings not only turns to “connections” in nature, but also a connection between the viewer and his art.

Tags: Abstract Art, Art and Home Decor, Canvas Art Prints, David Owen Hastings, Giclee Art Prints

Elizabeth Horning is an artist who portrays the beauty of nature on canvas. The love of the landscape and all that it encompasses came early to Elizabeth Horning. Born in Cambridge, Massachusetts, artist Elizabeth Horning continued to live in the splendor of the Northeastern United States while attending the Rhode Island School of Design. While studying art, Elizabeth Horning was awarded scholarships for artists such as grants from the Carnegie Foundation, The Ford Foundation and a Royal Bailey Farnum Scholarship.

After her formal training as an artist, Elizabeth Horning dove right into becoming a fine artist. Never ceasing to examine art, Elizabeth Horning shapes young artists through her programs in the elementary schools of Franklin, New Hampshire. An artist directly influenced by her love of nature, Elizabeth Horning’s garden is bursting at the seams with blossoms and vines. This sounds like an example of Elizabeth Horning’s life as an artist imitating her art, for her canvases are thick and heavy with flowers.

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Elizabeth Horning’s “Prickly Poppies”

The amazing photorealistic style artist Elizabeth Horning works in is technically very difficult. Somehow, though, Elizabeth Horning is able as an artist to keep her florals looking stunningly life-like while adding a touch of magical polish to them. In the painting Prickly Poppies, artist Elizabeth Horning captures a very realistic scene that in all actuality would occur quite rarely. Artist Elizabeth Horning painted all three soft pink poppies are in peak bloom and a butterfly has just landed for a drink of nectar. This skill Elizabeth Horning has as an artist is what creates the sense of wonder surrounding her oil paintings.

The quality of light artist Elizabeth Horning captures is ethereal creating otherworldly gardenscapes of her very realistic style. So important is light to Elizabeth Horning as an artist that she says, “So, foremost in my mind when I am working on paper is the preservation of the light which is vital to the life of the painting and which must come from the paper itself.” This attention to light is what gives artist Elizabeth Horning’s work her unique signature.

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Elizabeth Horning is an artist in the true sense of the word. Merriam-Webster’s Dictionary defines artist as someone who “is adept at something”, and Elizabeth Horning is “adept” at capturing the realism of the bloom of the flower just as it is at its peak of beauty and drama. Through the open close-ups of the flowers she paints, Elizabeth Horning seems to invite us into the private and glorious insides of the botanical world. By seeing these flowers Elizabeth Horning presents cropped so intimately, it’s as if an entirely new view of items we see every day. A rose or a daisy becomes a landscape all its own through Elizabeth Horning’s eye and she shares this secret place with us.

Elizabeth Horning’s “Port Townsend Garden”

In her painting, Port Townsend Garden, Elizabeth Horning takes us into the world of the Iris. Creamy golds and vivid violets seem to glow as if Elizabeth Horning has somehow lit the painting from within. The absolute technical way in which Elizabeth Horning represents the blossoms is arresting. One almost feels as if they could reach out and feel the velvety beard of the flower, Elizabeth Horning creates. The straightforward representation of Elizabeth Horning’s Port Townsend Garden inevitably comes from her mastery of capturing the light; it highlights the imperfect texture of the petals and the shadowy depth of their ruffled edges in Elizabeth Hastings’ Port Townsend Garden.

To capture the light in just the right way, Elizabeth Horning likes to work with oil paints on paper and let the paper show through, giving the light a “more transparent quality”. Elizabeth Horning knows it is the light that is “vital to the life of the painting” and believes by working on paper, as opposed to canvas allows “preservation of the light”. Though the subject Elizabeth Horning captures is the flower, it is more appropriate to say the star of Elizabeth Horning’s work is the light.

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“Boots 1” Jamie Ellsworth

Jaime Ellsworth, artist and animal lover, creates simple-seeming scenes of every day moments. These scenes created by Jaime Ellsworth allow the viewer to imagine their own background story about what’s just out of view. One of the favorite subjects of Jaime Ellsworth is a black dog named Pagau. Pagau, a dog her daughter rescued in Beijing, China, has captured the heart of Jaime Ellsworth and for being such an amazing muse, she donates paintings to animal welfare societies. In her painting, Boots 1, Jaime Ellsworth captures Pagau the dog sitting just inside the closed door of a house. Pagau sits next to a discarded pair of rain boots in Jaime Ellsworth’s piece. On the brown and white checkerboard floor, the lone black dog sits looking to the outside world Jaime Ellsworth has created. The viewer is left to imagine what Pagau is pondering beyond the glass door in Boots 1 by Jaime Ellsworth.

Jaime Ellsworth has an amazing way of using strong and simple shapes when composing her paintings. Yet, upon closer inspection, one sees Jaime Ellsworth has not left the objects in her works flat or two-dimensional. There is texture and gentle shading to the forms achieved through using fine layers of strongly-colored oil bars to create the main forms, and then uses more layers, as Jaime Ellsworth describes the process, to “allow the under paint to peek through and transparent glazes give the final surface a subtle tint.” Jaime Ellsworth has perfected this layering technique, creating depth in her work that forms her striking signature style.

Incredibly, Jaime Ellsworth had been painting an imaginary black dog for about a year before her daughter brought Pagau home. Of the canine, Jaime Ellsworth says, “I began to observe and paint Pagau’s moments of contemplation and his story now unfolds visually through his discoveries.” Prolific in her work, Jaime Ellsworth has painted over sixty pieces in which Pagau is the subject. Here’s hoping Pagau continues to garner the attention of Jaime Ellsworth so we can watch the dog’s story continue in her delightfully cheery work.

Tags: Art and Home Decor, Art Buy Online, Canvas Art Prints, Giclee reproductions, Jaime Ellsworth

Larry Miller’s art is quintessentially Californian. Born in California, Larry Miller now creates his art in Pebble Beach, the pristine coastal town known for it’s groomed golf courses and exclusive resorts. Larry Miller’s art is born through his love of the California coast line, so putting down roots in Pebble Beach is ideal. Larry Miller’s art is of the style known as photorealism, which Merriam-Webster defines as “realism in painting characterized by extremely meticulous depiction of detail.” This “meticulous depiction of detail” is what Larry Miller does best in his art. Larry Miller’s art particularly focuses on the coastal and mountainous areas of California’s landscape.

“Breezing Up” by Larry Miller

Breezing Up is one of Larry Miller’s pieces of art that captures an isolated beach from the vista from a mountain above. In this piece of art, Larry Miller chooses not to show the viewer the typical view of a mountain, but Larry Miller allows this piece of art to show a view which can only be seen from the high altitude of a mountain that is uniquely Californian. The top of the mountain artwork by Larry Miller is covered in a pristine white sand and dry yellow-green scrub grasses. Larry Miller’s art shows us a path leading down to the shoreline, inviting the viewer to follow it’s rugged line down to the quiet blue ocean on the horizon. The mountainous pine dominating the left of the canvas has boughs that are lifted by the wind and you can almost feel the breeze and smell the sea and feel its spray when looking at Larry Miller’s art.

Larry Miller’s artwork Breezing Up takes us to an amazing landscape that it seems fictional. However, Larry Miller captures the places in California that are indeed accessible to people. Through Larry Miller’s art one never has to travel far to experience the thrilling landscapes; one only has to look at the beauty captured in his stunning paintings.

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Luis Fernandez Hebrero, the Madrid, Spain born impressionist painter is influenced by the mountains of Campillo de Ranas during the summer and his hometown of Torero de Ardoz year round. Love of nature drew Luis Fernandez Hebrero to study biology at the University of Alcala de Henares in Madrid, Spain. While studying, Luis Fernandez Hebrero travelled throughout Europe and suddenly the imagination of Luis Fernandez Hebrero was captured by the great masters like Velazquez, Tiziano and Rembrandt. This shifted Luis Fernandez Hebrero to begin studying art. This unique duo of backgrounds in both botany and art allows Luis Fernandez Hebrero to capture the landscape of his beloved Spain in a unique and distinct manner.

“Paisage 2” Luis Fernandez Hebrero

In the striking painting, Paisage 2, translated to mean “Landscape 2″, Luis Fernandez Hebrero uses the advantage of a high viewpoint to lay out a scenic Spanish village before us on canvas. The unique technique of Luis Fernandez Hebrero is immediately recognizable. Though technically an impressionist artist, you can see influences of cubism and pointillism in Luis Fernandez Hebrero’s work. Using large square, succinct blocks of color, and the image of Luis Fernandez Hebrero’s village takes form. By examining the edges of the swatches of paint, one can see that Luis Fernandez Hebrero probably uses his palate knife to create Paisage 2, instead of the traditional brush. Close-up, the scene becomes an abstraction of rectangular hues, and when taking a step back, Luis Fernandez Hebrero’s detailed and beautifully composed landscape takes shape before your eyes.

Luis Fernandez Hebrero is a master of color. Luis Fernandez Hebrero is uses violets and grapes to resemble countryside filled with blooms, grayed greens to symbolize the rolling, grassy hillside. Burnt oranges makeup the rooftops of the white buildings in the town Luis Fernandez Hebrero depicts. The light Luis Fernandez Hebrero captures in his landscapes seems to brighten his paintings from within, making the work glow with a golden cast. When looking at a painting by Luis Fernandez Hebrero, one is grateful for his background in botany and art, and the ability of Luis Fernandez Hebrero to capture the resplendence of the natural world alongside the old world towns of Madrid in such a expert manner.

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“Vines 15” Mary Margaret Briggs

The abstracted monotypes that Mary Margaret Briggs creates on her home of Vashon Island, Washington, have photorealistic details that come together to create collaged panels. Mary Margaret Briggs’ mixed media pieces come from pieces of her other prints. Mary Margaret Briggs was born and raised and influenced by the colors of Seattle and the Pacific Northwest Mary Margaret Briggs now calls home. Other inspirations for Mary Margaret Briggs’ collages include her former textile design background and the time she spent abroad in Hong Kong.

Vines 15, by Mary Margaret Briggs could readily have been cut from a swatch of fabric she designed in her former profession. The quadrants of positive and negative images of a reaching vine turn and twist in direction around Mary Margaret Briggs’ print. Rich scarlets, golds and chartreuse backgrounds provide heavy contrast to the realistic vines that make up the focal points of Vines 15, created by Mary Margaret Briggs. The negative of the plant are bold and unfilled plots of cream, whereas the heavily veined and detailed positive image of the vines lay on a lighter color of the vine Mary Margaret Briggs created. Such warm colors seem to transpose the cooler toned greens traditionally seen in this piece by Mary Margaret Briggs.

Mary Margaret Briggs uses such unusual media in her collages as found Chinese book pages and joss papers, coarse, small rectangles of bamboo paper that the Chinese burn in traditional ancestor worship ceremonies and funerals. This “ghost money” Mary Margaret Briggs uses, as it’s sometimes referred to, ensures the dead will have abundance in the afterworld. Mary Margaret Briggs also uses cut up pieces of previous monotypes and then gives her pieces an unusually rich, almost velvety finish by covering the artwork with many layers of an oil-based varnish. This finish combined with Mary Margaret Briggs’ use of uncommon papers, gives the prints of Mary Margaret Briggs a texture that reflects that of the foliage she obviously so dearly adores. Mary Margaret Briggs’ love of the natural world is gifted to the viewer in her work.

Tags: Abstract Art, Art and Home Decor, Giclee Art Prints, Mary Margaret Briggs, Mixed Media Art

Matthew Hasty “Sunrise on Polk Landing”

Artist Matthew Hasty is from the American South above all else. Matthew Hasty’s background of living alongside the expansive skies of the South and the pull of the Mighty Mississippi River have shaped Matthew Hasty’s paintings as nothing else could possibly have done. “My fascination with the Mississippi river and the landscapes of this region have made them my predominant subject matter,” says Matthew Hasty of his paintings. It is this love for landscapes and riverscapes that inform Matthew Hasty’s ethereal and heavenly paintings of the American South.

The calm beauty of the majestic river Mark Twain so loved is the main theme in Polk Landing, a vertically oriented painting of a specific bend in Mississippi River in Tunica, Mississippi by Matthew Hasty. Many critics describe Matthew Hasty’s pieces as “hauntingly beautiful”. Polk Landing by Matthew Hasty captures the river just as the sun is rising, or setting, depending on the interpretation of the viewer. The sun, sky and clouds reflected in the water are also an ever-present theme in the work of Matthew Hasty. A member of The Cloud Appreciation Society, a group with an obsessive love of the full white tufts, one can see Matthew Hasty’s adoration for the unique skies of the South reflected in his work. In Polk Landing, Matthew Hasty uses the fully clouded sky as a marvelously brilliant backdrop for the river.

“As an artist I am interested in values of light. I attempt to make paintings that evoke various moods created by atmospheric phenomena,” reveals Matthew Hasty about his abundance of paintings that capture the light. In Polk Landing by Matthew Hasty, a crop of trees are dark green-black shadows standing to the right side of Matthew Hasty’s composition, framing the river with a contrasting frame. The blue and gold river appears almost still in the painting by Matthew Hasty, though the Mississippi is known to churn at 1.2 miles per hour, on average. This ability to capture the riverscape at a unique period of time is one of Matthew Hasty’s most valuable qualities as a painter. His love for the South flows through his beloved river in his paintings and the viewer is privileged to be present at this rare and sacred place Matthew Hasty so lovingly represents.

Tags: Art and Home Decor, Canvas Art Prints, Giclee Art Prints, Landscape Art, Matthew Hasty